1 Pilgrimage as physical, internal, and allegorical
In the study of global, historical Christianity and its various theologies and traditions, ‘pilgrimage’ often denotes corporeal travel to a sacred location such as a church or shrine associated with the life of Christ, saints, or martyrs. A pilgrimage may also unfold as one encounters God or visualizes a location in the mind. Fundamentally, however, pilgrimage refers to a theme drawn from Scripture: followers of God are sojourners or strangers upon the earth, bound for an eternal, heavenly Kingdom. Thus, Christian pilgrimage may be defined as a spiritual journey with physical, internal, and allegorical expressions. These three expressions may be ambiguous or contradictory, but they ultimately reflect that pilgrimage is multivalent and adaptable, able to be reconfigured or inculturated in diverse contexts.
First, physical pilgrimage is a journey to a place where God’s revelation affects one’s spirit and life (Bartholomew and Llewelyn 2016: xii). These pilgrimages require mobility as one travels to a location associated with God’s presence, the life of Jesus Christ, the lives of holy people or saints, or miraculous accounts. A place is geographical and historical – in fact, a place is storied as God interweaves time, space, and events (Brueggemann 1977: 185). Pilgrims, who may travel individually or communally, have diverse goals: devotion, forgiveness, healing, tangibility of belief, fulfilling a vow, material benefits. Transformation occurs through arduous travel, euphoric arrival, and divine encounter, as pilgrims’ mundane lives are suspended and replaced by simplicity of possessions, dependence on companions or strangers, and risk of harm, and whose spiritual sensitivity is heightened (MacGregor 2018: 207–208). Typically, a physical pilgrimage has both an outward and a homeward stretch. They can be plotted linearly or elliptically: from one point, to a sacred destination, and back to the original point. However, pilgrimages can be multi-site or circuitous, and they are not contingent on distance. Additionally, the outward journey differs from the homeward journey because the former may be slow, devotional, and preparatory while the latter, once the pilgrim is changed, may be a process of reintegration or be swift and touristic (Turner and Turner 1978: 22–23). Physical pilgrimage sites have been appreciated throughout church history, to varying extents depending on the tradition, and are located in every continent.
Second, internal pilgrimage is a journey of prayer and meditation. It may also be understood as ‘imagined pilgrimage, a journey to a sacred destination carried out in the mind’ (Hillman and Tingle 2019: 4). This mode of pilgrimage focuses on interiority and does not necessarily involve physical, external gestures. In a sense, a stable location makes for ease of spiritual movement. Whereas physical pilgrimage may be complicated by actual or perceived age, sex, ethnicity, ability, health, logistics, politics, or other factors, internal pilgrimage is a fully accessible method. Objects of visual culture, literature, or music may aid pilgrims. While internal pilgrimage is personal, the related mode of moral pilgrimage, which is a daily discipline of obedience as a pilgrim lives alongside one’s neighbours, has an interpersonal dimension (Dyas 2016: 98). Both of these modes suggest rootedness in one’s home or community. Internal pilgrimage has been practised since the Early Church contemplative forms of monasticism (solitary or communal), anchoritism, meditation, and mysticism; it is also developed in Orthodox, Catholic, and Protestant spirituality.
Third, the essential expression of Christian pilgrimage is allegorical: all of life is a journey, from a pilgrim’s earthly beginning to heavenly end. The soul may be considered ‘fundamentally nomadic’ (Hillman and Tingle 2019: 2). In fact, it can be argued that allegorical pilgrimage is literal while physical pilgrimage is metaphorical. This inversion of perspectives recognizes that ‘the supreme significance of pilgrimage lies in seeking the heavenly Jerusalem, the eternal reality of which the earthly city is but a shadow’ (Dyas 2016: 106). Allegorical pilgrimage is the spiritual reality. Life as pilgrimage provides Christians with a sense of present and prophetic identity. They are faithfully present pilgrims who journey with Christ and alongside neighbours in daily life. They are faithfully prophetic pilgrims who are not at home in the world, anticipating and participating in the coming of God’s Kingdom. Life as pilgrimage constructs a metanarrative that integrates the physical and internal pilgrimages one may experience on the way. The allegorical posture or worldview has been expressed through a variety of theological and literary works. It has been appreciated across church traditions with less controversy compared to its physical or internal counterparts.
3 Pilgrimage in church history
The history of Christian pilgrimage is like an extensive, complex tapestry, with the various traditions weaving threads of meaning and practice into the whole.
3.1 Pilgrimage in the Early Church tradition
As the nascent church navigated its Jewish roots and Graeco-Roman context, traditions began to take shape. In early Christianity, peregrinus, peregrinatio, and similar terms such as itinerarium (itinerary), via (way, road), and viator (traveller) referred to physical travel to holy places or people, or to spiritual exile and pilgrimage of the soul (Pullan 2005: 395). Christian pilgrimage was thus based on heritage and living saints, as recognized in Scripture, but came to incorporate ritual practices and material relics, icons, and images (Elsner and Rutherford 2005: 28–29; Wilkinson 1977: 40–42).
The tide of Christian movement went out from Jerusalem, in part because of missional mandate and in part because of sociopolitical dynamics. In fact, Jerusalem was not a major pilgrimage site from 70–325 CE, when the second temple was destroyed, Jews were expelled, the city was called Aelia Capitolina, and Christians were persecuted. However, three Christian pilgrims are known to have travelled to Jerusalem in the first two centuries: Melito, the bishop of Sardis; Pionius, who was later martyred, and Alexander, a Cappadocian who became bishop of Jerusalem (Walker and Hoyland 2023: 282). According to Eusebius Pamphilius (c. 260–341) in Ecclesiastical History, Alexander journeyed ‘in consequence of a vow and for the sake of information in regard to its places’ – also translated ‘for the purpose of prayer and investigation of the [sacred] places’ (NPNF 2/1: 6.11.2.; 1942: 6.11).
The pilgrimage tide slowly but surely rose. Emperor Constantine’s assumption of power in 324 and the Council of Nicea in 325 marked a shift in imperial attitude towards Christianity, which led to greater attention on the Holy Land (Walker 1990). The early fourth-century pilgrimage of Helena, Constantine’s mother, was an imperial, religious venture that sparked new interest in sites, archaeology, and relics (Hunt 1982: 28–49). The turn toward physical pilgrimage was significant and problematic for Christians, who for the previous three centuries of the church’s existence moved away from Jerusalem’s centrality literally and theologically. Patristic texts evidence that pilgrimage was subject to debate. Origen (c. 185–254) in Against Celsus writes that Judea and Jerusalem are cursed, yet shadows of the heavenly counterpart (ANF 4: 7.29). Eusebius in Life of Constantine describes the blessedness of places associated with Christ’s life, the building of churches, and the destruction of temples (NPNF 2/1: 3.25–58). Notably, however, Eusebius does not call Jerusalem a holy city. Cyril of Jerusalem (c. 320–384) in Catechetical Lectures argues for worship and witness in what he designates the holy city of Jerusalem (NPNF 2/7: 13.7; 14.16, 22–23; 18.33). In contrast, Gregory of Nyssa (c. 335–394) in On Pilgrimages takes a theological and moral stance against pilgrimage, writing, ‘When the Lord invites the blest to their inheritance in the kingdom of heaven, He does not include a pilgrimage to Jerusalem amongst their good deeds’ (NPNF 2/5: 382–383). Yet, Gregory also wrote favourably about faithful Christians and holy places in Letter XVII: To Eustathia, Ambrosia, and Basilissa (NPNF 2/5: 542–245). Similarly, in Letter CVIII: To Eustochium, Jerome (c. 345–420) wrote to Eustochium concerning her mother Paula’s pilgrimage, describing it as faith, disinheritance, inheritance, affliction, martyrdom, citizenship (NPNF 2/6: 1–35). Finally, imagining what has been described as an ‘ethic for Christian life’ (Augustine of Hippo 2012: 75), Augustine of Hippo (354–430) in City of God uses imagery of pilgrims, citizens, journey, and home to reflect a terrestrial situation with a celestial end (Augustine City of God).
In addition to visiting locations spreading the Levant, early church pilgrims visited living saints. These men and women – who themselves practised internal pilgrimage through ascetic, contemplative faith in the deserts of Syria and Egypt – were sought by those seeking to learn of God’s ways and encounter God’s presence (Wortley 2013 N.487, N.618; Chitty 1966). Alternatively, fifth- through seventh-century Celtic monks such as Saints Patrick, Columba, and Columbanus embraced ascetic, wandering pilgrimage and mission as a way of life. They were, according to a sermon by Columbanus, to ‘live as travelers and pilgrims on the road, as guests of the world, free of lusts and earthly desires’ and to ‘fill our mind with heavenly and spiritual forms’, singing psalms and speaking Scripture about desire to be with God (1999: 356). This branch of Christianity blended various expressions of pilgrimage with ministry.
By the sixth century, the ambiguous terminology of pilgrim and pilgrimage stabilized somewhat, as exemplified in the account of the Piacenza Pilgrim (c. 570; Piacenza Pilgrim 1977: 78–89; Pullan 2005: 396). This account suggests the relationship between place, event, ritual, as well as the physical communicability of blessing: washing in a spring at Cana, baptising in the Jordan, reclining where Christ was betrayed in Gethsemane, taking a blessing from a lantern and dirt in Christ’s tomb, drinking at the casket of a martyr named Theodota, bathing at Siloam, consuming manna, collecting ointment from a stone near Clysma, visiting saints’ beds in Caesarea Philippi. However, tides shifted again with the Byzantine-Sasanian War (602–628) that overran monastic sites, Jerusalem, and Bethlehem, followed by Caliph ‘Umar ibn al-Khattab (634–644) and the Muslim Arab army entering Jerusalem in 638. The early era of Christian pilgrimage closed, having charted a ‘new sacred geography’ that called to the spiritual imaginations of numerous travellers (Markus 1990: 153).
3.2 Pilgrimage in the Eastern Orthodox tradition
The first seven centuries of Byzantine Christian pilgrimage fed the wider Orthodox tradition. Christian pilgrims, mostly Eastern, filtered into the Holy Land during the early Islamic period (638–1099). Simultaneously, places associated with different branches of Eastern Christianity grew in importance. In Oriental Orthodoxy, the Rock-Hewn Churches of Lalibela, Ethiopia were constructed in the twelfth and thirteenth century as a new Jerusalem after Muslim conquests prevented Christian pilgrimages to the Holy Land. The monolithic cave churches continue to be places of pilgrimage and devotion according to the Ethiopian Church calendar. In Eastern Orthodoxy, Constantinople became the most important depository of Christian relics by the eleventh century, in part due to the amassing of relics by Constantine and Helena centuries prior (Majeska 1984: 2–3). Russian Orthodox pilgrimages began in the late tenth century, with figures such as Anthony of Kiev (c. 983–1073) and Theodosius of Kiev (1009–1074) taking part. Sources such as the Old Russian Vita of St Eufrosinija of Polotsk, the Bulgarian Bdinski sbornik (1360), and the Serbian Gorički zbornik (1442) exemplify that noble women also participated in pilgrimage during this time (Belyakova 2015). The Sack of Constantinople by Crusaders (1204), the Mongol invasion of Kievan Rus’ (1237–1241), and the dangers inherent to long-distance pilgrimage decreased traffic to Jerusalem and Constantinople (Majeska 1984: 4–5). However, Greek Orthodox and Armenian Orthodox pilgrims persisted. Long-distance physical pilgrimages essentially ended with the fall of Constantinople to the Ottoman Empire (1453). Russian Orthodox pilgrimages re-emerged in the nineteenth century with backing from the government, and the majority of pilgrims were peasants (Hummel and Hummel 1995). During the Soviet era, religious repression varied. Some lay leaders facilitated processions, such as the Velikoretskii procession of the cross in Kirov, while some laity worshipped at natural sites instead of churches (Rock 2014: 275–301; Rock 2015: 53). Contemporary practices have emerged as ‘nomadic Orthodoxy’ challenges ecclesiastical structures through religious experiences beyond the parish: pilgrimage, networks around leaders or projects, and ‘flash mobs’ around travelling holy objects (Kormina 2012: 195–227).
Orthodox views on pilgrimage tend to emphasize presence, and tie to mission and death. The sacred presence of venerable people or objects, as well as sensory engagement, are paramount. As Annemarie Weyl Carr explains, ‘More than one who traveled, the Byzantine pilgrim was a proskynetes, one who venerated; the critical movement was over the threshold of access to the one venerated. The space claimed was one less of distance than of presence’ (2002: 76). Thus, entering a sacred space and touching a venerable object constituted pilgrimage, regardless of distance covered. Ordinary and special (miraculous) icons were integrated into Orthodox devotion and revenue generation, and in the fourteenth century pilgrims began travelling for their sake (Carr 2002: 87). For example, pilgrims sought to be present with the icons of Megaspilaion, Soumela, Kykkos, Karyes, and Pelagonia as well as named icons such as the Virgin of the Blachernai, the Virgin of the Chalkoprateia, and the Virgin Hodegetria (Carr 2002: 87; Oikonomides 1991). Not only did pilgrims travel to shrines, but icons and relics became pilgrims, in a sense, during processionals. This form of ‘inverted pilgrimage’ gained post-revolution popularity, taking sacred objects to different regions and becoming an accessible liturgical, even missional, activity (Rock 2014; Rock 2015: 48–49, 55–57). An Orthodox missiology views the church as an allegorical pilgrim people that invites those from all nations to join in pilgrimage towards the heavenly land. Pilgrim, missional identity is rooted in the divine liturgy and the real presence of Christ: ‘The liturgy is an invitation to join with the Lord and to travel with him’, and ‘[t]he eucharist is precious food for missionaries, bread and wine for pilgrims on their apostolic journey’ (Bria 1986: 18, 94). Journeying may involve physical pilgrimage towards the end of one’s life; indeed, death is a motif in Eastern Orthodox pilgrimage. Travelling to the Holy Land has been considered ‘a vicarious visit to one’s future home – the heavenly Jerusalem’, with associated acts of penance, prayer, and blessing being preparation for death (Hummel and Hummel 1995: 43). More profoundly, ‘dying in Jerusalem’ symbolically or mystically tied to Christ’s death – and to resurrection into the heavenly kingdom (Belyakova 2015: 2, 11).
3.3 Pilgrimage in the Roman Catholic tradition
Early Church perspectives on pilgrimage shaped Roman Catholic perspectives on pilgrimage. However, Western pilgrimage to the Holy Land decreased during the early Islamic period (638–1099). The difficulties pilgrims faced en route to Jerusalem became a motivating factor for the Crusades (1099–1291), which wedded religious pilgrimage with ideals of chivalry and opportunity through war (Coleman and Elsner 1995: 96). To go on crusade was to go on pilgrimage. This period also saw the institutionalisation of indulgences, which could take the form of voluntary or mandatory penitential pilgrimage (Sumption 2003). Following the Crusaders’ defeat, the only remaining Latin Christian influence in the Holy Land was the Custodia Terrae Sanctae, a Franciscan priory designated to guard Christian sites. However, physical pilgrimages to European sites such as Rome, Santiago de Compostela, Canterbury, and Cologne were popular. Veneration of relics and the cult of the saints thrived, with pilgrims seeking thaumaturgical experiences. Holy places, events, and people or relics were interconnected so that a pilgrim tapped into the continuity of what was past, yet present. Some Catholics, such as John Wycliffe (c. 1329–1384), Jan Hus (c. 1369–1415), Thomas à Kempis (c. 1380–1471), Desiderius Erasmus (c. 1466–1536), criticized the inconsistency and immorality associated with pilgrimage antecedent to the Protestant Reformation. Long-distance pilgrimage decreased after the Reformation, but local and regional pilgrimages in northern and western Europe increased and were even considered Counter-Reformative (Tingle 2020). Medieval and early modern sites remain attractive to present-day pilgrims. For example, the 1531 apparition of the Virgin Mary to Aztec Christian Juan Diego led to the building of a shrine, what is now the Basilica of Our Lady of Guadalupe in Mexico City, and its replicas (Peña 2011; Ruiz-Navarro 2010). Martyr sites are also pilgrimage destinations, such as the Twenty-Six Martyrs Museum and Monument in Nagasaki, Japan, commemorating the deaths of saints in 1597.
Stations and labyrinths are accessible forms of physical, internal pilgrimage in the Roman Catholic tradition. Stationed liturgies developed in Jerusalem in the fourth century, and they became a compressed, transplantable form of pilgrimage to the present day. The Via Dolorosa is a processional route in the Old City of Jerusalem that represents the way Jesus walked to his crucifixion. Widespread replicas enable pilgrims to walk and contemplate the Passion. For example, the crypt chapel at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C., USA, features glazed ceramic tiles depicting the stations, while Saint Joseph’s Oratory in Montreal, Canada, has an winding, outdoor garden walk featuring statues representing the stations. The first known church labyrinth is a mosaic from the Basilica of Reparata (c. 324), now at the Sacred Heart Cathedral of Algiers, Algeria (Kern 2000: 88). Its function in Christian pilgrimage is uncertain compared to labyrinths as a form of pilgrimage in the Middle Ages. For example, the Chartres Cathedral in Lourdes, France, was built c. 1220 as a symbolic copy of Jerusalem, and it functions in liturgy today (Connolly 2005). Alternatively, miniature labyrinths may be traced with one’s fingers.
Roman Catholic perspectives on pilgrimage have both inward and outward orientations. Like their forebears, medieval Christians appreciated the internal and allegorical dimensions of pilgrimage, developing contemplative forms of spirituality in monasticism, anchoritism, meditation, and mysticism. The destination was an ‘inner Jerusalem’, according to St Bonaventure (1221–1274), who wrote The Mind’s Road to God (1259) after a mystical, ecstatic walk on Mount Alverne (1953: 7.1). Similarly, in Revelations of Divine Love (1373), Julian of Norwich (c. 1342–1413) writes of God opening her spiritual eyes to see her soul, her heart like a citadel in which Jesus Christ sits, suggesting unity of spiritual place, self, and Christ (1901: ch. 67). Julian also refers to Christ on pilgrimage: he is present with and guides people to heaven (1901: ch. 81). An early modern source, The Spiritual Exercises (1548) by Ignatius of Loyola (1491–1556), is a guide for prayer and spiritual formation that engages an exercitant’s imagination and senses (1996: 281–360). Ignatius, who went on physical pilgrimage to Jerusalem via Rome in 1523 and called himself ‘the pilgrim’ in his autobiography, was, like many Jesuits, a practitioner of internal pilgrimage as well as a lifelong pilgrim and missionary (Ignatius of Loyola 1996: 3–66; Ignatius of Loyola 1959: 332; O'Malley 1984). The Roman Catholic tradition upheld the church’s dual identity as pilgrims and missionaries in Ad Gentes: ‘The pilgrim Church is missionary by her very nature’ (Second Vatican Council 1965: 1.2).
3.4 Pilgrimage in the Protestant tradition
During the Reformation, Protestants contested sacred space, saints, and relics, all of which featured in Catholic traditions of physical pilgrimage. Protestants also challenged the belief of good works unto salvation, and whether works such as pilgrimage held any value at all. Martin Luther (1483–1546) separates pilgrimage, one of many allegedly good works, from salvation and care for others in Treatise on Good Works (1520) and To the Christian Nobility of the German Nation Concerning the Reform of the Christian Estate (1520; Luther’s Works 44: 40, 171). John Calvin (1509–1564) includes pilgrimage in a litany of medieval piety practices which Christians are to reject because they are corrupt, licentious, and not commanded in Scripture (Calvin 1844: Ps 50:16; 1846: Hos 4:13–14; 5:6; 14:1–2; 1847: Jonah 1:16; 2:8–9). While the former criticized pilgrimage because it was caught in a theology of merit (a concern with faith), the latter criticized pilgrimage because it conflicted with a theology of worship (a concern with idolatry). Their views are nuanced – Luther does not condemn pilgrimage in itself and Calvin implies that a proper form of pilgrimage is possible – but they tend toward avoiding pilgrimage entirely rather than carefully extricating it from aspects they deemed unwise or unhealthy. These perspectives influenced the history of pilgrimage from the sixteenth century (Tomlin 2016).
Both Protestant Reformers and Catholic Counter-Reformers tended towards interiority through prayer, meditation, conversion, and transformation. However, allegorical pilgrimage, rooted in the Augustinian interpretation of the Church peregrinating, soon became the primary expression among Protestants. The concept was a metaphor in Puritan spirituality and devotion, inspiring literature such as John Bunyan’s The Pilgrim’s Progress (1678). Bunyan, among others, informed the sermons and spiritual autobiographies of later Protestants, whose ‘favorite allegory is the sojourner, the pilgrim and traveler in this world which is not home, for the pilgrim is only here en route to a final destiny’ (Peacock and Tyson 1989: 216–217). In what may appear to contradict allegory in favour of physicality, commemorative locations associated with the lives of Protestant figures or movements also play a role in Protestant identity and piety. For example, American Methodists may visit sites from John and Charles Wesley’s lives for the purpose of recalling the narratives of historical or spiritual events (Tweed 2000). These places can be understood as having symbolic or memorial value, not sacramental value, which reinforces the notion that Christians are allegorical pilgrims.
The nineteenth century saw explosive historical, theological, and political interest in the Holy Land. Protestant visitors grounded an appreciation for the Holy Land in an appreciation for the Bible, which manifested in numerous streams of activity: geographical and archaeological research, educational and medical services, Jewish or Muslim missionary work, and hope in prophecies or eschatology (Walker and Hoyland 2023: 296). Visitors included scholars, professionals, missionaries, clergy, celebrities, politicians, and royalty among their ranks – precursors to modern tourists (Walker and Hoyland 2023: 298–303). Present-day American visitors to the Holy Land, for instance, blur tourism with spiritual desires to ‘return to the “source” of their faith, physically and imaginatively’ and to ‘walk where Jesus walked’ (Kaell 2014: 3). Other Protestants, such as Anglican theologian N. T. Wright, recognize the sacramental quality of the world and the value of physical pilgrimage in teaching, prayer, and discipleship (Wright 2014).
Broader study on pilgrimage, movement, and globalization has brought pilgrimage into conversation with Pentecostalism (Coleman 2014; 2021; Fortuny and Mola 2018). Both are international religious phenomena, yet Pentecostalism is often perceived as nimble, with an outward or centrifugal orientation, while pilgrimage is often perceived as nostalgic, with an inward or centripetal orientation. Pentecostal forms of pilgrimage do exist, however, such as the charismatic ministry Livets Ord (Word of Life) in Uppsala, Sweden, and its journeys to the Holy Land. These pilgrimages emphasize agency to move and bless globally, with a theological, imaginative, temporal, and spatial orientation towards Jerusalem and the apocalypse (Coleman 2004: 65). In contrast, among Scandinavian pilgrimage movements, the Evangelical Lutheran Church of Sweden opened a pilgrimage centre in Vadstena in 1997. Ordained ministers – pilgrim pastors – lead shrine visitors on physical pilgrimages with an emphasis on freedom, simplicity, silence, lightheartedness, slowness, spirituality, and sharing (Lindström 2005). These pilgrimages are contextualized to a culture that values walking and nature, attending to the journey rather than the destination (Gemzöe 2020). Thus, despite what can be a strained relationship between Protestants and pilgrimage, physical, internal, and allegorical expressions have grown.
4 Pilgrimage and the arts
4.1 Visual and material culture
Objects of visual and material culture are significant in Christian pilgrimage. They include images, icons, proskynetaria, altarpieces, folding triptychs, sculptures, crosses, rosaries, relics, reliquaries, ampullae, badges, medals, pins, brooches, chains, lockets, rattles, bells, whistles, mirrors, stained glass, and architecture. Some function in communal liturgy, others in personal devotion. For example, European medieval and early modern churches commissioned altarpieces, some of which were so large in the Baroque and Rococo periods as to blur the categories of image and architecture. In contrast, portable mass-produced objects fashioned from paper, textiles, plants, wood, stone, shell, glass, metal, plastic, water, oil, or soil have been desirable souvenirs (or eulogiae, blessings in Byzantine art; Vikan 1982: 10–14) that signify one visited a sacred site. The general purpose of such objects was to facilitate physical, internal, or allegorical pilgrimage.
Relics and icons are intertwined with pilgrimage traditions. For example, the wood of the true cross was purportedly recovered from debris around the site of Calvary by Helena in the early fourth century (Hunt 1982: 28–49; cf. Eusebius NPNF 2/1: 4.7; Cyril of Jerusalem 2000: 68–70). The finding is celebrated in the liturgical calendar of Orthodox, Roman Catholic, Lutheran, and Anglican churches. With the exception of Protestants who have heavily criticized the finding and veneration of relics (Calvin 1870), Christian pilgrimages integrated relics, sites, the cult of the saints, and miracles into a multifaceted ritual system (Waterworth 1848: 233–236). This system is not merely about objects or places. It includes senses of sight and touch as well as a relational dimension between the pilgrim and the person whose relic is being venerated (Inge 2016: 97). Similarly, icons have been integral to Byzantine and Orthodox pilgrimage rituals. They identify a sacred place or person (sometimes being placed near a corresponding relic), disseminate a saint from a site in the form of souvenir medals or images, function as votive gifts, develop into icon cults, and stimulate physical, internal, or allegorical pilgrimage (Carr 2002: 81–88).
Medieval badges are another common pilgrimage object. The earliest of such souvenirs were palm branches collected between Jordan and Jericho and worn by pilgrims or Crusaders returning from Jerusalem, leading to pilgrims becoming known as ‘palmers’ (Kühnel, Noga-Banai and Vorholt 2014). Similarly, pilgrims returning from Santiago de Compostela collected or purchased scallop shells, iconography that became fashionable and somewhat emblematic of pilgrimage (Tingle 2020: 192–195). The controlled production of lead-tin alloy badges, which were cast from moulds depicting site-specific iconography, became profitable for merchants and churches (Blick 2019). Badges were multifunctional. They were identifiers or mementos, exhibiting to oneself or others that a pilgrimage had been undertaken. They were also used in ongoing personal devotion, even as secondary relics associated with miraculous stories of healing or safety.
In late medieval and early modern Europe, church and domestic altarpieces functioned as devotional aids for localized, internal pilgrimage. The frames were like thresholds or borders for the gaze to cross when embarking on a journey, while the images within depicted holy people or events and elicited spiritual responses (Sadler 2018: 194). For example, Hans Memling’s Passion of Christ (1470) invited beholders to accompany Christ on his Holy Week journey, while Joys of the Virgin (1480) brought beholders into Christ’s infancy – depicted in the central image of the Adoration of the Magi, themselves pilgrims encountering God – as well as post-Resurrection appearances (Hull 2005). Multi-episodic altarpieces mapped out for worshippers ‘a sequence of meditational stops not unlike a pilgrimage’ (Sadler 2018: 34). Portable altarpieces, smaller-scale objects featuring similar images and iconography, functioned in private chapels or homes. Additionally, early modern Iberian Catholic missionaries used portable altarpieces in ministry in Japan and New Spain (Mexico). These objects became European and Indo-Pacific assemblages – lacquer frames containing oil paintings or featherwork – suggesting that pilgrimage became inculturated (Luterbacher 2019).
Objects of visual and material culture continue to symbolize or embody spiritual journeys for pilgrims. These objects suggest that the sacred and the material or commercial are related, and may blur the lines between pilgrimage and tourism souvenirs (Reader 2014).
4.2 Literature
Pilgrimage has long been a literary motif. Virgil’s Latin epic poem, the Aeneid (29–19 BCE), tells the story of Aeneas’ wanderings from Troy to Italy, his founding of the Romans, and his sense of duty or piety (Virgil 1909). It can be interpreted as a heroic journey to a sacred centre (Mills 1983: 36). This story was part of the literary context in which the early church’s own story unfolded, and it has been suggested that its influence stretched into medieval Christianity (Valentine 1931).
The massive body of Christian pilgrimage literature includes itineraries, guidebooks, diaries, travel accounts, certificates, books of indulgences, devotional aids, poems, stories, and blogs. It has been suggested that the abundance of literature renders Christian pilgrimage an ‘overdetermined journey’ (Coleman and Elsner 2003: 13). Nevertheless, drawing from Scriptural references and echoing the impulses of broader literary traditions, pilgrims and pilgrimages have been woven into the multivocal Christian literary imagination.
Early church pilgrimage literature exhibits a range of theological, historical, geographical, and personal insights. Eusebius’ gazetteer, Onomasticon (c. 313–325), alphabetizes biblical places according to sections of the Septuagint (Eusebius Pamphilius 2023). While Eusebius’ list is perhaps more scholarly than devotional, the genre of personal travel accounts also emerged in the fourth century. The Bordeaux Pilgrim, who travelled from Gaul to Constantinople and the Holy Land in 333, systematically lists his itinerary, mileage, and events associated with the places he visited (Bordeaux Pilgrim 1877). Egeria, who travelled from northern Spain or southern Gaul to the Holy Land c. 381–384, conveys her impressions and experiences of biblical sites to her sisters (Egeria 2018). These writings were contemporaneous with patristic debates on the topic, but early church tensions about pilgrimage also carried into medieval Catholic literature. For example, Dante’s The Divine Comedy (c. 1308–1320), William Langland’s Piers Plowman (c. 1380), Walter Hilton’s The Scale of Perfection (c. 1380–1396), Chaucer’s Canterbury Tales (c. 1387–1400), and Margery Kempe’s The Book of Margery Kempe (c. 1436–1438) exemplify (or criticize or satirize) the complexities of physical, internal, moral, and allegorical pilgrimage. New iterations of Catholic pilgrimage literature grew out of early modern missionary and colonial movements and the inculturation of Christianity in local contexts. For example, northeastern Brazilian folhetos or literatura de cordel, based on chapbooks introduced by the Portuguese, are present-day oral or written tales about local saints or miracles, and they function in pilgrimage (Slater 1991).
Protestant and Orthodox traditions each have model pilgrims. Protestant writings focus on allegorical pilgrimage. Works such as Simon Patrick’s The Parable of the Pilgrim (1664) and Benjamin Keach’s Travels of True Godliness (1684) characterize Christians as pilgrims journeying from earth to eternity. Similarly, Bunyan’s widely translated The Pilgrim’s Progress follows the character Christian, who is burdened with the weight of his sin and the question, ‘What shall I do to be saved?’ He undertakes a journey from the City of Destruction to the Celestial City. In the portion of the book that follows the journey of Christian’s wife, Christiana, their sons, and their neighbour, Christ is referred to as ‘the Prince of pilgrims’ (Bunyan 2003: 204, 268, 279). For Orthodox writings, the pilgrim motif existed in Russian folklore, but pilgrim tales based on writers’ experiences developed as a literary genre in the twelfth century (Majeska 1984: 4, 6–9). A more recent example, the nineteenth-century anonymous Russian spiritual, Rasskaz strannika (The way of a pilgrim or The pilgrim’s tale), tells the journey of a common strannik (pilgrim) through Russia, Ukraine, and Siberia as well as his heart in relation to God (Savin 2001). His method of internal pilgrimage is hesychasm, uninterrupted reciting of the Jesus Prayer: ‘Lord Jesus Christ, Son of God, have mercy on me, a sinner’. From an Orthodox perspective, internal pilgrimage – or ‘internal liturgy’ (Ugolnik 2016) – is closely related to prayer and stillness. Monastic hesychastic practice dates from the fourth century, and this book contributed to its revival in twentieth-century Eastern as well as Western spirituality (Phillips 2010: 300).
4.3 Music
Ethnomusicologist Philip Bohlman has stated, ‘Pilgrimage does not exist without music’ (Bohlman 1996: 435). The Songs of Ascents discussed above are a well-worn collection of pilgrimage poetry. They may even have functioned as musical souvenirs that pilgrims memorized or purchased in written form so that, whether at the temple or at home, they could sing of the blessings experienced at Zion (Hossfeld and Zenger 2011: 294). These psalms have also been translated and adapted for present day Christians on their discipleship journeys (Peterson 2000; Barker 2005).
Music continued to play a part in pilgrimages to the Holy Land. Felix Fabri (c. 1437–1502), a Dominican from Ulm who made pilgrimages to the Holy Land in 1480 and 1483–1484, describes receiving a small book titled ‘Processional for pilgrims in the holy land’. It included ‘all the versicles, collects, responses, hymns, and psalms which ought to be said or sung at all the holy places and throughout the course of a pilgrimage beyond sea’ (Fabri 1896: 290). Yet, music was also spontaneous. Some of Fabri’s fellow pilgrims sang Christmas hymns and all sang ‘Gloria in excelsis Deo’ in chorus en route to Bethlehem; upon arrival at the Nativity site, they modified the lyrics of ‘Christe, redemptor omnium, ex patre patris unice’ to sing of the place, rather than the day, of Christ’s birth (Fabri 1896: 548, 557). Fabri’s accounts portray a connection between music, holy person or event, and place, and music continues to function in such pilgrimage processions. In fact, present-day Jerusalem is a polyphonic soundscape, with diverse pilgrims adding their voices and musics (and silences) – but not without intercultural, intertraditional, and postcolonial tensions (Wood 2014).
Musicking expands beyond psalms and Jerusalem to feature in diverse physical, spiritual, and allegorical pilgrimages. In Orthodox and Catholic traditions, music can be highly liturgical. Egyptian Christians incorporated cantillated biblical prose, antiphonally chanted psalms, and sung strophic hymns into place-based pilgrimage (MacCoull 1998: 408). Seventh-century pilgrims to the shrine of Saints Cyrus and John at Menouthis sang psalms about healing; late seventh or eighth century pilgrims to the Hermopolis basilica or the Koskam site sang hymns commemorating the Holy Family’s flight into Egypt; and ninth century pilgrims to the monastery of St Shenoute of Atripe followed the prescribed textual and musical liturgy of its festal calendar (MacCoull 1998). Another liturgical source, the Sarum Missal, used in Latin rites from the eleventh century, contains an ‘Order of Service for Pilgrims’ (1913: 166–173). It reflects the relationship between an individual pilgrim and a corporate church, a distant place and a local base. Pilgrims were members of the body of Christ who were commissioned by a community, and they returned to that community after visiting a site that held significance for their wider tradition.
In the Protestants tradition, internal and allegorical expressions of pilgrimage run through hymns, such as those by Charles Wesley (1707–1788), who linked music to prayer and meditation (Rattenbury 1954). One Methodist hymnal, Hymns for the Pilgrim Way (1937), compiled for Caribbean churches, even stated the hope that the book would be ‘a great ministry in the salvation of souls, also in the deepening of the spiritual life of God’s people […] while they journey through an alien world as “Pilgrims and Strangers” to the Better Land’ (Ives 1937). Similarly, Baptist ethnomusicological research about the Senufo peoples in Côte d’Ivoire indicates that kologo (path) is a core linguistic and cultural concept, and it has been incorporated into music about the ‘Jesus road’ (King 2009). As a final, unique example: the ecumenical monastic community of Taizé, France blends physical pilgrimage with aspects of internal and allegorical pilgrimage by cultivating lifelong pilgrims, in part through shared and personal musicking (Brother Roger 2006).
6 Pilgrimage in ecumenical and interfaith dialogue
Christian pilgrimage, with its physical, internal, and allegorical expressions, is taking place in an increasingly globalized world. Therefore, it is possible to suggest two ways forward as Christians journey alongside their neighbours.
First, pilgrimage is a topic that enables ecumenical dialogue. Ecumenism refers to the movement embracing the unity and fellowship of the global, historical Church. Pilgrimage may generate ecumenical dialogue because it has manifested in theory and practice in the Early Church, Eastern Orthodoxy, Roman Catholicism, and Protestantism. Each of these branches has an appreciation for the incarnate Christ, who walked in the world he made, and for allegorical expressions of pilgrimage. There is a shared sense of identity: Christians are earthly pilgrims journeying towards a heavenly country. Shared identity does not negate points of conflict. They remain and may never be reconciled, such as the general tendency to accept physical pilgrimage, saints, icons, and relics in Orthodox and Catholic churches as opposed to the tendency to reject them in Protestant churches. A posture of grace and hospitality towards fellow pilgrims, however, enables Christians to navigate such distinct perspectives in pursuit of unity and fellowship. For example, ecumenical pilgrimages have bloomed at Iona, Scotland and its dispersed, global community. The Wellspring Community in Australia comprises Christians from various denominations. In 2023, this community brought into dialogue the Christian gospel and Indigenous spirituality, including creation care and appreciation of place, through a month-long pilgrimage, the leaders of which included Aboriginal and Torres Strait Islander peoples (Prentis 2023: 14–15). The physical, internal, and allegorical expressions of pilgrimage take on renewed significance through Indigenous Christian theology, which recognizes the memory of land, people, exile, and Christ, who ‘becomes that safe place. And all of a sudden you are talking about a sacred place […]’ (Champion 2014: 25). Thus, ecumenical dialogue enables Christian pilgrims to journey alongside their neighbours.
Second, pilgrimage is a topic that enables interfaith dialogue. Interfaith dialogue (or interreligious dialogue) refers to the practice of positive, cooperative interaction between people of different religious traditions or spiritual beliefs. Every major world religion, as well as New Age and secular worldviews, features forms of pilgrimage. In Abrahamic religions, Abraham is the archetype of one who journeys, and Jerusalem is of particular interfaith significance for Christians in relation with Jews and Muslims. Jews continue to observe three annual festivals (Pesach, Shavuot, Sukkot), although they can no longer occur at the Temple, and may visit the Western Wall or Wailing Wall at the Temple Mount. Muslims may visit the Al-Aqsa Mosque compound on the Temple Mount, but the primary pilgrimage is the Hajj to the Kaaba (House of Allah) in Mecca, Saudi Arabia. In Hinduism, pilgrims may visit sites located near rivers, which are fords or bridges to the divine, and every twelve years the major Kumbh Mela pilgrimage festival occurs. Sikh pilgrims may visit the Harmandir Sahib in Amritsar, Punjab, while Jain pilgrims may visit sites associated with enlightened human beings, such as Shatrunjaya in Gujarat and Shravanabelagola in Karnataka. In Buddhism, pilgrims follow routes associated with the Buddha’s life, and in Japan multi-site circuits blend with Shinto to include temples, shrines, or sacred mountains. Finally, New Age pilgrims may visit sites associated with pre-modern rituals or with spiritual powers, while secular pilgrim-tourists may visit diverse sites for diverse reasons (e.g. heritage, fandom, or holiday destinations).
Pilgrimage routes, sites, and practices are becoming increasingly shared. One site may be a locus of activity for multiple faiths, or shrines may share spatial and cultural proximity. Practices may be intentionally or unintentionally shared, with the potential of fostering understanding and relationship. Beyond physical pilgrimages rooted in places, interfaith dialogue is also attentive to the internal and allegorical expressions of pilgrimage appreciated in diverse traditions and worldviews. All of these dynamics are apparent, for instance, among Muslims and Catholics in south central Java, Indonesia, a context shaped by Islam, Catholicism, Javano-Islamic sultanates, and the Hindu-Buddhist heritage of Javanese culture (Laksana 2016). Thus, interfaith dialogue enables Christian pilgrims to journey alongside their neighbours.
Throughout global, historical Christianity, followers of God have embarked on pilgrimage – spiritual journeys with physical, internal, and allegorical expressions. The latter expression is essential: followers of God are sojourners and strangers upon the earth, imitating Jesus Christ and venturing as his Church towards an eternal, heavenly Kingdom. The topic of pilgrimage has been controversial, particularly in terms of how to interpret its Christological reorientation in the New Testament and how to navigate various perspectives or practices. Nevertheless, the multivalence and adaptability of Christian pilgrimage is evident as it has been reconfigured and inculturated in diverse contexts. This plurality endures today, as pilgrimage sparks ecumenical and interfaith dialogue while Christians faithfully journey alongside their neighbours.